5 pesos 1998 — Cuba ( Pick: 116 )
Region:
North America
Front side
Back side
Banknote description
The banknote is a 5 pesos issued in Cuba in 1998. It belongs to an unspecified series and falls within an unspecified period. This note is cataloged under Pick number 116, identifying it within the issue. Its denomination, year, and catalog reference place it among documented banknotes.
The front side design features details from the 1995 Issue, including elements from the 1995 Dual Commemorative Issue, and is marked by the Banco Central de Cuba. The note displays a color scheme of green on a multicolor underprint and has dimensions of 150 x 70 mm. It is signed by Francisco Soberón Valdéz and printed by Impresos de Seguridad.
This banknote is produced on paper. The Banco Central de Cuba was established in 1997 to manage the country’s monetary policy and currency issuance.
The front side design features details from the 1995 Issue, including elements from the 1995 Dual Commemorative Issue, and is marked by the Banco Central de Cuba. The note displays a color scheme of green on a multicolor underprint and has dimensions of 150 x 70 mm. It is signed by Francisco Soberón Valdéz and printed by Impresos de Seguridad.
This banknote is produced on paper. The Banco Central de Cuba was established in 1997 to manage the country’s monetary policy and currency issuance.
Specifications
- Signed by
- Francisco Soberón Valdéz
- Date of issue
- 1998
- Printing office
- Impresos de Seguridad
- Paper
- Paper
- Colour
- Green on multicolor underprint
- Dimensions
- 150 x 70 mm
- Pick catalog
- 116
About this banknote
The Banco Central de Cuba issued the 5 pesos banknote (Pick 116) in 1998. This series was printed by Impresos de Seguridad in Havana and bears the signature of Francisco Soberón Valdéz.
The obverse features a portrait of Antonio Maceo on the right, with the bank's emblem on the left. The reverse depicts the 1878 meeting between Antonio Maceo and Spanish General Arsenio Martínez Campos at Mangos de Baraguá. The watermark is of Célia Sánchez Manduley.
