1000 guaranies 2005 — Paraguay ( Pick: 222 )
Region:
South America
Front side
Back side
Banknote description
The banknote is a 1000 guaranies issued in Paraguay in 2005. It is cataloged under Pick number 222. The note measures 157 x 67 mm and features a color palette of purple on a multicolor underprint. It is printed on paper and is signed by Darío Rolando Arrélaga Yaluk and Mónica Pérez dos Santos.
The design elements specific to the front side and back of the banknote are not detailed in the available information. However, the banknote's catalog reference and distinct characteristics are noted within its entry.
This note was produced by De La Rue. The introduction of the 1000 guaranies into circulation marked a key development in Paraguay's monetary practices during the early 2000s.
The design elements specific to the front side and back of the banknote are not detailed in the available information. However, the banknote's catalog reference and distinct characteristics are noted within its entry.
This note was produced by De La Rue. The introduction of the 1000 guaranies into circulation marked a key development in Paraguay's monetary practices during the early 2000s.
Specifications
- Signed by
- Darío Rolando Arrélaga Yaluk, Mónica Pérez dos Santos
- Date of issue
- 2005
- Printing office
- De La Rue
- Colour
- Purple on multicolor underprint
- Dimensions
- 157 x 67 mm
- Pick catalog
- 222
About this banknote
The Central Bank of Paraguay issued this 1000 guaranies banknote in 2005. It was part of a series produced by De La Rue, a prominent printing company. This issuance aimed to replace previous notes to improve security and reduce counterfeiting, aligning with the country's economic strategies in the early 2000s.
The front side of the banknote displays a portrait of Francisco Solano López, a significant figure in Paraguayan history. The back side features the Oratory of the Virgin of the Assumption and the National Pantheon of Heroes. The note, Pick 222, measures 157 x 67 mm and is printed on paper, signed by Darío Rolando Arrélaga Yaluk and Mónica Pérez dos Santos.
